红色的激情与梦想交织的时代回家的诱惑宝莲

　　Let's put it straight:the screenplay of "la red" is trite to a fault.So why is it so mesmerizing? It must be the form.Visually,it's a splendor: few directors can take advantage of the seaside landscapes as Emilio Fernandez did:think Lean' s "Ryan's daughter" or Jean Grémillon's "Remorques".Some will say that the symbolism -a breaker- is ponderous.The director was probably influ... (展开全部)