火炉燃烧，温暖心灵，熏陶岁月，倾听静谧，生活的絮语在火焰中闪烁。金刚杵直插莲花中

　　For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject mat... (展开全部)